25 pages • 50 minutes read
Doris LessingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Figurative language is language whose meaning goes beyond the literal, the enriched significance lending the words more impact. Such language is scattered throughout this narrative and often indirectly expresses some aspect of Jerry’s inner life. One significant instance is when the rocks on the bay resemble “discolored monsters.” The rocks are also described as “fanged and angry” (Paragraph 18), personifying them again as threatening creatures. While this figurative language characterizes the rocky bay as frightening and more dangerous than the sandy beach, the idea of monsters also emphasizes Jerry’s childlike disposition and perspective, as a fear of monsters is a typical childhood trait that is much less common in adults. The language therefore dramatizes the coming-of-age journey: Though the protagonist’s inner life is vividly childlike, he nevertheless pursues independence.
When Jerry splashes around and calls to the local boys in a futile attempt to get their attention, the narration compares him to a “foolish dog.” This again shows his childishness and immaturity at the start of this journey, and it even expresses how Jerry himself feels as he is ashamed of his social clumsiness.
By Doris Lessing
A Woman on a Roof
A Woman on a Roof
Doris Lessing
Briefing for a Descent Into Hell
Briefing for a Descent Into Hell
Doris Lessing
Martha Quest
Martha Quest
Doris Lessing
No Witchcraft for Sale
No Witchcraft for Sale
Doris Lessing
Prisons We Choose to Live Inside
Prisons We Choose to Live Inside
Doris Lessing
The Fifth Child
The Fifth Child
Doris Lessing
The Golden Notebook
The Golden Notebook
Doris Lessing
The Grass is Singing
The Grass is Singing
Doris Lessing
To Room Nineteen
To Room Nineteen
Doris Lessing