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Frost notes the meter when he calls his poem a history of the United States in “blank verse.” Blank verse doesn't feature rhyming lines, but it has metered lines, and the meter is iambic pentameter. Each line has ten syllables, and the ten syllables make five pairs of unstressed/stressed lines.
In Line 1, don’t stress “The,” but stress “land”; don’t stress “was,” but stress “ours”; don’t stress “be,” but stress “fore”; don’t stress “we,” but stress “were”; and don’t stress “the,” but stress “land’s.” Here, the meter emphasizes the importance of “land.” It appears twice in the line, and the reader stresses it each time. The land is the gift—it’s the reason for the “we” in the poem, and the iambic pentameter calls out its centrality.
Arguably, the lack of rhyme reflects the struggles and conflicts of the United States. Though the repetition creates some rhythm, the poem isn’t melodious. Like the nation, the poem sounds rather harsh or atonal. The absence of harmony also undercuts the “we,” hinting that the “we” isn’t unified and doesn’t share the same political or economic interests.
By Robert Frost
Acquainted with the Night
Acquainted with the Night
Robert Frost
After Apple-Picking
After Apple-Picking
Robert Frost
A Time To Talk
A Time To Talk
Robert Frost
Birches
Birches
Robert Frost
Dust of Snow
Dust of Snow
Robert Frost
Fire and Ice
Fire and Ice
Robert Frost
Mending Wall
Mending Wall
Robert Frost
Nothing Gold Can Stay
Nothing Gold Can Stay
Robert Frost
October
October
Robert Frost
Once by the Pacific
Once by the Pacific
Robert Frost
Out, Out—
Out, Out—
Robert Frost
Putting in the Seed
Putting in the Seed
Robert Frost
Stopping By Woods On A Snowy Evening
Stopping By Woods On A Snowy Evening
Robert Frost
The Death of the Hired Man
The Death of the Hired Man
Robert Frost
The Road Not Taken
The Road Not Taken
Robert Frost
West-Running Brook
West-Running Brook
Robert Frost