24 pages 48 minutes read

Nathaniel Hawthorne

The Ambitious Guest

Fiction | Short Story | Adult | Published in 1835

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Historical Context: The Willey Family Tragedy

Nathaniel Hawthorne’s “The Ambitious Guest” is based on a true historical tragedy. In 1825, Samuel Willey, his wife, and their five children moved to Crawford Notch in the White Mountains of New Hampshire. The Old Notch House, built in 1793, served as the Willey family’s home and as an inn. A landslide in June 1826 prompted Willey to erect a stone shelter. On August 28, 1826, a rainstorm caused the Saco River to flood, leading to severe landslides. The Willey family and their two employees retreated to the shelter and perished. As in Hawthorne’s story, the Willey home was unscathed by the natural disaster. However, none of the victims are found in Hawthorne’s story, whereas the bodies of Mr. and Mrs. Willey, two of their five children, and the two employees were recovered. When responders investigated the Willeys’ home, they found “unmade beds, clothes strewn about and an open Bible on a table” (“The Willey Family Tragedy Starts White Mountain Tourism.” New England Historical Society, 29 Feb. 2024).

Newspapers and Theodore Dwight’s guidebook The Northern Traveler introduced the Willey family’s tragic story to a national audience, and travelers flocked to the White Mountains to see the house that survived the landslide. The work of artists and writers like Hawthorne both capitalized on and contributed to tourists’ interest in the tragedy. Hawthorne visited Crawford Notch in 1832. Three years later, he published “The Ambitious Guest” in The New-England Magazine as the first installment of a series of travel pieces entitled Sketches From Memory, by a Pedestrian. Other famous artists and writers who visited the site include Ralph Waldo Emerson, Henry David Thoreau, Daniel Webster, and Thomas Cole. Today, the Willey House historical site remains open to visitors as part of the Crawford Notch State Park.

Literary Context: Dark Romanticism

Dark Romanticism is a literary subgenre of Romanticism that formed as a response to American Transcendentalism. Romanticism broadly focused on the power of imagination over reason and revered nature, beauty, and the self. Traditional Romanticism tended toward optimism about human nature. Transcendentalists, for example, believed in the innate goodness and divinity of people, which they championed against the humdrum of daily life and the strictures of society. It encouraged self-reliance and individualism, with some Transcendentalists taking part in utopian experiments.

By contrast, the Dark Romantics were pessimistic about human nature. Dark Romanticism focused on human imperfections, believing that human beings are prone to sin, obsession, and self-destruction. Nathaniel Hawthorne, Edgar Allan Poe, and Herman Melville are the figures most commonly associated with Dark Romanticism, although the genre also influenced the work of writers like Emily Dickinson.

Hawthorne wrote “The Ambitious Guest” early in his career, and it does not share the overtly Dark Romantic elements that would characterize much of his work—most notably, hints of supernaturalism or an interest in “madness.” However, the hubris the characters display resembles the destructive pride that animates many Dark Romantic stories. Likewise, the specifics of that hubris—The Desire to Conquer Death—reflects a desire to transcend natural limitations that many of Hawthorne’s later stories portray unfavorably. The treatment of nature itself is notable as well. Although Romanticism broadly treated nature as an object of both reverence and fear (e.g., British poet Percy Bysshe Shelley’s “Mont Blanc”), Hawthorne’s depiction in “The Ambitious Guest” tips decisively toward the latter, like many Dark Romantic works.