49 pages • 1 hour read
Mariko TamakiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chapter Summaries & Analyses
Freddy arrives at Laura’s house. She enters, seeing that several other teenagers are already there. She feels isolated as more people arrive and Laura flirts with another girl. In an email to Anna Vice, displayed in caption boxes, Freddy wonders about the dynamics of the polygamous relationships she saw on TV. When Freddy attempts to talk to Laura, Laura dismisses her, claiming she needs to tend to her other guests. Despite this, Freddy decides to stay the night, justifying her decision in an email to Anna Vice by suggesting that she might be “helping break new lesbian ground, and leading the revolution for new, free love” (152). However, the accompanying image of Freddy curled up on the couch, surrounded by pizza boxes, beer bottles, and strangers, contrasts with her optimistic words.
The story then transitions to a series of overlapping panels depicting Freddy and Laura’s rekindled relationship at school, with Doodle observing their interactions from a distance. The panels also depict Doodle playing Dungeons and Dragons with a group of people and spending time with an unknown person at a diner, hinting at a life beyond her friendship with Freddy. The montage concludes with an image of Freddy and Laura walking together, while Doodle, Buddy, and Eric walk in the opposite direction, drawn in faint pink, symbolizing the growing distance between Freddy and her friends.
While waiting for Laura to pick her up from work, Freddy encounters Vi, the girl from the donut shop and bowling alley. They eat together at a nearby coffee shop and chat about the changes they’ve observed in the city. Vi asks Freddy if she’s queer and if she has a girlfriend, to which Freddy responds that it’s complicated. Then, Vi invites Freddy to a gallery event with art students and a DJ before leaving for another job.
Later, Freddy invites Doodle to the gallery event and learns that Doodle now uses a cell phone, despite her previous aversion to them. When Freddy asks who is texting Doodle, Doodle becomes evasive and abruptly leaves.
At the gallery event, Freddy dances with Vi and Vi’s friend Mo. When Laura arrives and begins flirting with another girl, Freddy impulsively kisses Mo. Upset, Freddy goes outside, where Vi consoles her. Meanwhile, Doodle sends a text to Freddy, asking to talk, but Freddy doesn’t see it.
The next day at school, Buddy and Eric tease Freddy about kissing an older person. Freddy tries to talk to Doodle, who seems upset, but they are interrupted by a teacher. At lunchtime, Laura confronts Freddy about kissing someone else, asking if she wants to break up. Laura asserts that they will always get back together because of their unique connection. Freddy agrees, and Laura kisses her on the head before leaving.
Realizing she forgot to meet Doodle for lunch, Freddy rushes to find her, but Doodle brushes her off. At home, Freddy discovers a bag of washed toys that Doodle left on her porch. She tries to call Doodle, but Doodle’s father says she is not feeling well.
A series of panels shows Freddy spending time with Laura at school, while Doodle is shown being comforted by Buddy and Eric. In a separate scene, Buddy and Eric argue about Buddy attending Eric’s grandmother’s birthday party, implying that Eric is not out to his religious family.
Freddy discusses the incident with Buddy, who changes the subject and chastises Freddy for not checking on Doodle, who has been absent from school. Buddy sarcastically suggests that Freddy should try harder to find out if her best friend is okay.
In this section of Laura Dean Keeps Breaking Up with Me, Freddy continues to struggle with the theme of Breaking Toxic Relationship Cycles. Even as she feels neglected and isolated at Laura’s party, Freddy attempts to rationalize her decision to stay with Laura since she remains trapped in a cycle of unhealthy dynamics. The juxtaposition of the seemingly happy and social atmosphere of Laura’s party with Freddy’s feelings of dejection and isolation serves to highlight the discrepancy between the superficial appearance of their relationship and Freddy’s inner turmoil. On Page 144, Freddy is depicted in stark black ink against a pink backdrop, while the other partygoers are shaded in gray, emphasizing her sense of separateness and loneliness amidst the chattering crowd. These scenes are interspersed with caption boxes that contain Freddy’s email to Anna Vice, creating a contrast between her private thoughts and the public facade of the party. For example, on Page 145, a pink back panel features a high-angle shot of the party, juxtaposed with Freddy’s overlaid email, in which she muses, “I bet you that guy with four wives never worries about his wives being flirty because they all live in the suburbs and they have too many kids to feel sexy” (145). This is followed by a close-up of Laura leaning in close to another girl, above another panel featuring Freddy’s continued email: “I wonder what the wives feel” (145). The combination of the visual contrast and Freddy’s internal monologue serves to underscore the emotional disconnect she experiences within her relationship with Laura and the larger social context of the party. In Freddy’s optimistic email to Anna Vice, she suggests that she might be breaking new ground in lesbian relationships, but the image of her dejected and alone amidst the partygoers highlights the disconnect between her hopeful words and the reality of her situation.
Further, Freddy’s impulsive decision to kiss Mo at the gallery event after witnessing Laura flirting with another girl underscores her inability to break free from the toxic pattern of their relationship—in order to get her revenge on Laura, Freddy attempts to hurt Laura in the same way that Laura hurts her. When Laura confronts Freddy about the kiss and asserts that they will always get back together due to their unique connection, Freddy readily agrees, demonstrating her continued struggle to prioritize her own well-being and assert her agency within the relationship.
Freddy’s journey toward Seeing Past Superficial Charm and External Validation remains a central theme. Despite the growing distance between Freddy and her friends, particularly Doodle, Freddy continues to be drawn in by Laura’s charm and the validation she receives from their relationship. The overlapping panels depicting Freddy and Laura’s rekindled romance at school, juxtaposed with Doodle’s observations and her own separate life, underscore Freddy’s inability to recognize the superficiality of her connection with Laura and the impact it has on her friendships. Freddy’s encounter with Vi, who offers a more mature and grounded perspective on relationships, serves as a potential catalyst for Freddy to reassess her priorities and see beyond the surface-level allure of her relationship with Laura. However, Freddy’s decision to agree with Laura’s assertion that their connection is more important than her kiss with Mo demonstrates her continued struggle to acknowledge the superficiality of their relationship and the pain it causes her.
The graphic novel explores the theme of Discovering Agency and Self-Responsibility through Freddy’s gradual realization of the consequences of her actions and the importance of prioritizing her own well-being and friendships. The juxtaposition of Freddy’s seemingly happy moments with Laura and the growing distance between her and her friends, particularly Doodle, highlights the cost of Freddy’s continued investment in the toxic relationship. Doodle’s evasiveness when asked about who she is texting and her abrupt departure from their conversation serve as subtle indications of the strain on their friendship caused by Freddy’s preoccupation with Laura. Freddy’s failure to meet Doodle for lunch after agreeing to talk, due to her confrontation with Laura, further emphasizes her struggle to take responsibility for her actions and prioritize her friendships. Buddy’s pointed comment about Freddy’s lack of concern for Doodle’s well-being serves as a wake-up call, prompting Freddy to begin considering the impact of her choices on those around her and the need to take control of her own life.
The importance of the gaze is a recurring motif throughout this section of the book, particularly in its depiction of Freddy and Doodle’s diverging paths. On Pages 153 and 154, Freddy is shown either daydreaming, phone in her hands, or looking at Laura, while Doodle is shown observing Freddy. Starting on Page 155, Doodle begins to face away from Freddy, with panels depicting only the back of her head before transitioning to scenes of Doodle engaging in activities separate from Freddy, such as playing Dungeons and Dragons, spending time with Eric and Buddy, and meeting up with an unknown person on Pages 156-157. These panels are interspersed with images of Freddy and Laura continuing to interact with each other in an increasingly insular manner, culminating in the borderless image on the bottom of Page 157. This image depicts Laura and Freddy in black and white, heading toward the right of the page, while Buddy, Eric, and Doodle pass behind them toward the left of the page, drawn only in faint pink. This symbolizes the fading presence of these friends in Freddy’s life. Moreover, for Western readers accustomed to reading left to right, movement toward the left of the page evokes a sense of moving backward, while movement from left to right suggests progression. This implies that Freddy believes she is moving forward with her life, leaving her outdated friendships behind. This panel highlights her obliviousness, signaling that Freddy is unaware of the true cost of her relationship with Laura in terms of her friendships and her old life.
By Mariko Tamaki