“Poor child. You are being destroyed by your own worth. Your talent has poisoned you with pride like the sting of a scorpion. So that which makes beauty brings death.”

Here, Evslin captures a central concept in Greek myths, which is that the same quality that makes a hero exceptional also leads to the hero’s downfall. Arachne’s outstanding skill as a weaver brings her so much acclaim that she foolishly begins to believe herself comparable to the goddess of weaving herself. Athene pities Arachne for her reckless pride, though she will punish her for it.

“The earth was held as a commonwealth and left to the goddesses to manage.”

Zeus, Poseidon, and Hades rule over the sky, sea, and underworld respectively, which has often led them to be described as the most powerful gods. Evslin points out that goddesses also had a domain of power: the earth itself. Evslin’s description of it as a “commonwealth” suggests that the goddesses’ power is collaborative, a very different model from the competitive, combative qualities that often characterize the relationships among Zeus, Poseidon, and Hades.

“Poseidon was very fond of Demeter and pursued her hotly whenever he thought about it. He cornered her finally one hot afternoon in a mountain pass, and demanded that she love him. She didn’t know what to do—he was so huge, so implacable, so persistent.

Finally Demeter said, ‘Give me a gift. You have made creatures for the sea; now make me a land animal. But a beautiful one, the most beautiful ever seen.’” 

Violence against people perceived to be physically weaker is pervasive in ancient Greco-Roman myths, whether perpetrated by gods, monsters, or mortals. Evslin does not sanitize this element but maintains it and dramatizes how mythic stories portray physically weaker being protecting themselves. In this case, Demeter cannot physically overpower Poseidon, but she can distract him. Her ruse works, as he becomes so enchanted with his creation that he forgets about Demeter.