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Summary
Act I, Prologue
Act I, Scene 1
Act I, Scene 2
Act I, Scene 3
Act I, Scene 4
Act I, Scene 5
Act I, Scene 6
Act I, Scene 7
Act I, Scene 8
Act I, Scene 9
Act I, Scene 10
Act II, Scene 1
Act II, Scene 2
Act II, Scene 3
Act II, Scene 4
Act II, Scene 5
Act II, Scene 6
Act II, Scene 7
Act II, Scene 8
Act II, Scene 9
Act II, Scene 10
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Chapter Summaries & Analyses
Aretha Franklin’s version of “Spanish Harlem” plays under the sounds of the famous Dateline interview with Michael Jackson and Lisa Marie Presley. Canada retells the story of his first trip to Harlem in the late 1960s. He was hesitant to go, as he had heard that Harlem was a dangerous place, but he wanted to experience the neighborhood, so he assumed a “baddest mother in the city” (79) attitude and embarked on a tour. He soon realized that Harlem was filled with people like him: “I’m the same as them. I look just like them. I look like I live in Harlem” (79).
Over a pot of tea, Billie and Canada catch up. Canada admits that he wants to reconnect with his children, especially since he has had some recent health issues. He has, however, been sober for nearly five years. Billie balks when he calls her Sybil, but he defends the choice: “I gave you that name. It’s a good name. It was your grandmother’s name. It means prophetess. Sorceress. Seer of the future. I like it. I don’t see anything wrong with that name” (81). He then gives Billie a small box containing one of her mother’s rings.