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Langston Hughes’ “Children’s Rhymes” is composed of three stanzas, and each stanza contains five lines, making each stanza a quintain. The poem is lyric and an example of free verse, since it is short and doesn’t employ iambic pentameter or any prescribed meter. The lines could have as many syllables as Hughes wants, but he sticks to short, monosyllabic words to create a cohesive sound. A rhyme scheme also contributes to the form and meter, with the third and fifth lines rhyming in each stanza. As Hughes is writing in free verse, he has room to improvise, so in the first two stanzas, it’s not just the third and fifth lines that rhyme. If the pronunciation of "sends” (Line 1), “kids” (Line 2), and “can’t” (Line 4) is manipulated somewhat, then all five lines rhyme in Stanza 1. More so, in Stanza 2, “everybody” (Line 9) rhymes with the last words in Lines 8 and 10.
By Langston Hughes
Cora Unashamed
Cora Unashamed
Langston Hughes
Dreams
Dreams
Langston Hughes
Harlem
Harlem
Langston Hughes
I look at the world
I look at the world
Langston Hughes
I, Too
I, Too
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Let America Be America Again
Let America Be America Again
Langston Hughes
Me and the Mule
Me and the Mule
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Mother to Son
Mother to Son
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Mulatto
Mulatto
Langston Hughes
Mule Bone: A Comedy of Negro Life
Mule Bone: A Comedy of Negro Life
Langston Hughes, Zora Neale Hurston
Not Without Laughter
Not Without Laughter
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Slave on the Block
Slave on the Block
Langston Hughes
Thank You, M'am
Thank You, M'am
Langston Hughes
The Big Sea
The Big Sea
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Theme for English B
Theme for English B
Langston Hughes
The Negro Artist and the Racial Mountain
The Negro Artist and the Racial Mountain
Langston Hughes
The Negro Speaks of Rivers
The Negro Speaks of Rivers
Langston Hughes
The Ways of White Folks
The Ways of White Folks
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The Weary Blues
The Weary Blues
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Tired
Tired
Langston Hughes