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“Sestina” by Elizabeth Bishop (1956)
This is one of Bishop’s more personal, autobiographical poems where she describes the relationship between herself and her grandmother. It uses third-person perspective to distance the speaker from the action. The formal use of the sestina structure, one of the most difficult and complicated forms of poetry, makes this poem technically impressive, but as some critics note, it also made the speaker seem even more distant. Like “Arrival at Santos” the speaker of this poem seems to be revealing emotion in a way that is restrained. Unlike in “Arrival at Santos” it reveals more autobiographical information than is typical of her other poems.
“Questions of Travel” by Elizabeth Bishop (1965)
As in “Arrival at Santos,” the speaker of this poem wrestles with the pleasures and the disappointments of travel. The speaker explores how her mind responds to waterfalls in Brazil, at first noting that there are too many of them, the way she notes her disappointment with the port of Santos. Then she asks a series of questions about why she chose to travel and what she expected to find, revealing that her sense of “home” is always uncertain. This piece extends many of the themes Bishop introduces in “Arrival at Santos” and expounds further upon them.
By Elizabeth Bishop
A Miracle for Breakfast
A Miracle for Breakfast
Elizabeth Bishop
Crusoe in England
Crusoe in England
Elizabeth Bishop
Exchanging Hats
Exchanging Hats
Elizabeth Bishop
First Death in Nova Scotia
First Death in Nova Scotia
Elizabeth Bishop
Five Flights Up
Five Flights Up
Elizabeth Bishop
Insomnia
Insomnia
Elizabeth Bishop
One Art
One Art
Elizabeth Bishop
Sandpiper
Sandpiper
Elizabeth Bishop
Sestina
Sestina
Elizabeth Bishop
The Armadillo
The Armadillo
Elizabeth Bishop
The Fish
The Fish
Elizabeth Bishop
The Imaginary Iceberg
The Imaginary Iceberg
Elizabeth Bishop
The Moose
The Moose
Elizabeth Bishop
The Mountain
The Mountain
Elizabeth Bishop
The Shampoo
The Shampoo
Elizabeth Bishop