18 pages • 36 minutes read
Claude McKayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The coexistence of opposites is a recurring motif in the poem. This applies both to the speaker’s feelings and to America as he experiences it. He feels “bitterness” (Line 1) because he is treated so badly—bitterness is metaphorically what he is fed, so he cannot help but feel it; but despite this, he also loves the country. He thus maintains two apparently contradictory feelings. Moreover, in spite of his vulnerability to irrational prejudice, there is also a kind of invincibility in his manner; this coexisting vulnerability and invincibility is another paradox (a paradox is a statement that, on the face of it, seems contradictory, yet on closer examination can reveal a truth). He knows how to stand tall, without hatred or fear, and even lifts himself far beyond present circumstances and becomes a seer and prophet (Lines 11-14).
America too embodies opposites; it has great strength yet is ultimately vulnerable to the inevitable and destructive tide of “Time” (Line 13); the word is capitalized partly to emphasize the point. Time will work its way on America, just as it does with everything else.
America also embodies both masculine and feminine attributes. The poet personifies America as a mother who is less than nourishing to her child, the Black man—and the water images with which she is described (“Her vigor flows like tides” [Line 5]) are traditionally feminine.
By Claude McKay
Home To Harlem
Home To Harlem
Claude McKay
If We Must Die
If We Must Die
Claude McKay
Joy in the Woods
Joy in the Woods
Claude McKay
The Harlem Dancer
The Harlem Dancer
Claude McKay
The Lynching
The Lynching
Claude McKay
The Tropics in New York
The Tropics in New York
Claude McKay
The White House
The White House
Claude McKay
To One Coming North
To One Coming North
Claude McKay
When Dawn Comes to the City
When Dawn Comes to the City
Claude McKay